Quiplash exists to change the nature
of work for queer, disabled artists

Two queer blind performers, Ebony (left) and Tito (right) goof off, standing on either side of a wall outside of Sophiensaele, a venue in Berlin they would later be performing in. Ebony is a dark skinned black person wearing a flat cap, red rain coat and black trousers. Tito is a white person with short brown hair and is wearing a colourful dinosaur hoodie, jeans and is sporting a teal glitter beard. Ebony is gleefully waving their mobility cane in the air while Tito clutches theirs in their right hand and gestures to Ebony with the other. The wall they are in front of is full of pink posters that say “queering the Crip Cripping the queer” in big blue letters. On either side of each poster are Ebony and Tito’s faces in full drag.

We work within the principles of disability justice to produce work with radical integrated access at its core, connect communities to knowledge and its roots through partnerships, embedded training. We use this experience to advocate for systemic culture change for disabled and queer artists.

We create an artistic culture where queer disabled artists,
and the art they make, are secure and thriving.